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(“If someone dies, ignore them.”) She met her Mr.
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She landed her first byline with a wry piece on how to behave at Studio 54. When she emerged from puberty flat-chested, her father said soberly, “I’m afraid no man is ever going to love you.” (“Thanks, Dad.”) She climbed off the bus to Manhattan in a Loehmann’s outfit picked out by her mother, hoping to write her way to a Pulitzer. (Cosmopolitans are available for purchase at the theater entrance.)īushnell’s onstage memoir proceeds at a quick clip. Making her stage debut at 63, the author synthesizes her own personal and professional life as if it were a surprisingly eventful night on the town, inviting audiences behind the scenes and into her cozy confidence with a wink and a cocktail. With her frank and unpretentious point of view, Bushnell developed an appealing and assured mode of storytelling that marries aspirational fantasy with friendly confessional. But she offers more here than mere fodder for fans of her conflicted urban fairy tale of female sexual liberation, which grew from her mid-’90s column for The New York Observer into the enduring franchise. Dishy details like this are delightfully sprinkled throughout “Is There Still Sex in the City?,” a one-woman show written by and starring Bushnell that opened on Tuesday at the Daryl Roth Theater. Like her “ Sex and the City” alter ego, Carrie Bradshaw, Candace Bushnell dated a politician once - though he never asked her to pee on him.